Taylor Swift’s ‘Anti-Hero’ Tops Hot 100, The Weeknd & Beyonce Top 10 – Billboard

Not an issue: Taylor Swift“Anti-Hero” returned to No. 1 this week, from No. 8, at Billboard Sizzling 100 songs chart for its seventh complete week on the prime. With this final body on the prime, Swift ties for her longest Sizzling 100 rating, which was first set by “Clean House” in 2014-15.

Plus, David Guetta And Bebe Rexha“I am Good (Blue)” exploded 19-4 on the Sizzling 100, scoring its first week within the prime 5, and two songs rose to their first weeks within the prime ten: weekend“Die for you” (26-8) f Beyonce“Cuff It” (38-10). The Weeknd hit No. 16 on the Banks High 10, whereas Beyoncé hit No. 21.

All songs climb into the highest 10 of the Sizzling 100 as the vacation approaches the chart (which displays the monitoring week of December 30 to January 5). Every week in the past, eight seasonal songs positioned within the prime 10, led by Mariah Carey’s “All I Need for Christmas Is You,” which added Twelfth week at primary, which is probably the most for a vacation title within the chart 64 years previous Historical past. This week is the third, after the 2019 and 2021 vacation seasons, that Fashionable Hymns left the listing instantly from primary, and it is the one tune to vanish like this (with Carey after have fun One: “Price it, one other report haha!”)

The Sizzling 100 mixes all US airplay (official audio and official video), radio airplay, and gross sales knowledge. All charts (dated January 14, 2023) might be up to date on Billboard.com tomorrow (January 10). For all chart information, you’ll be able to comply with @Billboard and @Billboardcharts on Twitter and Instagram.

“Anti-Hero”, launched on Republic Data, scored 83.8 million radio airplay viewership impressions (up 4%), 17.2 million streams (up 2%) and 6,000 gross sales (down 1%) December–January 30. 5, in accordance with Luminate.

The one rebounded from second place for its fourth week at primary on the Digital tune gross sales Desk; Grammar radio songs For a 3rd week and is up 37-4 after two weeks on prime streaming songs.

As Anti-Hero tops the Sizzling 100 for a seventh week, Swift is matching her longest reign: Clean House dominated at seven frames in 2014-15. This is a take a look at the weeks in first place for its 9 leaders:

Weeks at No. 1, title, date reached No. 1:
7, “Anti-Hero,” Nov. 5, 2022
7, “Clean House” Nov 29, 2014
4, “Shake It Off”, Sep 6, 2014
3, “Look what you made me do,” Sept. 16, 2017
3, “We’ll By no means Get Again Collectively”, Sep 1, 2012
1, “All Too Properly (Taylor Model)”, Nov 27, 2021
1, “Willow,” Dec 26, 2020
1, “Cardigan,” Aug 8, 2020
1, “Dangerous Blood,” feat. Kendrick Lamar, June 6, 2015

“Anti-Hero” debuted atop the Sizzling 100 as Swift Historical past introduced as the primary feminine artist to monopolize the highest 10 in a single week, with all tracks from her album midnight.

Sam Smith and Kim Petras’ “Unholy” jumps 10-2 on the Sizzling 100, having topped the chart dated October 29.

SZA’s “Kill Invoice” bounced again to its highest peak of No. 3, from No. 11, topping Sizzling R&B/Hip-Hop Songs And Sizzling R&B Songs, which makes use of the identical methodology because the Sizzling 100, for a fourth week every. monitor from her album SOSwho claims a Fourth week at primary On the plate 200. The tune earns, regardless of the absence of its official video, regardless of SZA teased Clip from it (movie by Christian Breslauer) December twenty ninth.

David Guetta and Bebe Rexha’s “I am Good (Blue)” charted 19-4 on the Sizzling 100, surpassing their earlier peak of No. 7. Guetta ties collectively his profession bests, beforehand created by “With out You,” that includes Usher, in 2011 and “Flip Me On,” that includes Nicki Minaj, in 2012. Guetta additionally reached the highest 5 with “Attractive Chick.” ‘, that includes Akon (No. 5, 2010). Rexha added her second prime 5 hit, after “It is Meant to Be” with Florida Georgia Line (#2, 2018). The phrase “good” crowns the multimeter on the similar time Sizzling Dance / Digital Songs Sixteenth week chart.

Notably, “Good” peaked on the prime of the Sizzling 100 on the tune snap For its foundation: Eiffel 65’s “Blue (Da Ba Dee),” which went to No. 6 in January 2000.

Drake and 21 Savage’s “Wealthy Flex” mirrors the monitor, 21-5, on the Sizzling 100, after spending its first three weeks on the chart at quantity two in November. Collaboration controls a number of scales Sizzling rap songs Eighth week chart.

Metro Boomin, The Weeknd, and 21 Savage’s Creepin jumped from 22 to six on the Sizzling 100, after debuting at No. 5 in December, and Harry Types’ “As It Was” rose from 31 to 7, after 15 weeks at No. 1. Beginning final April, and Fourth longest reign on the chart date.

The Weeknd’s Die for You swings from 26 to eight on the Sizzling 100, led by 67.3 million stream viewers (up 3%) and 9.9 million streams (up 10%).

The tune reached the highest 10 of the Sizzling 100 six years after its authentic launch on The Weeknd’s album starboysparked by the interplay on TikTok (which isn’t at the moment contributing to portrayschemes). The uproar helped the tune’s on-air promotion and prominence, with the monitor charting at No. 4 on Radio Songs.

Though it arrived in 2016, Hit Songs Deconstructed (which analyzes the compositional options of the High 100 High 10 songs) notes that “Die for You” “matches in with its current rise within the prime 10 of synth songs, which doubled between 2020 and 2022 to almost 1 / 4 of these hits, and R&B’s continued reputation, which has been regular in half of the High 10 over the previous two years.”

The Weeknd climbs his profession to 16 Sizzling 100 High 10s, whereas starboy Born his third single, After the Title topped the chart for per week in January 2017, changing into his third of six number-one hits, and “I Really feel It Coming” reached quantity 4 in April, each songs that includes Daft Punk.

Steve Lacey’s “Dangerous Behavior” regained 30-9 on the Sizzling 100, after three weeks at primary in October. It tops on the similar time multi-scale Sizzling rock and various songsAnd Sizzling rock songs And Sizzling Various Songs Charts for 20 weeks every.

Beyoncé’s “Cuff It” charted within the prime 10 of the Sizzling 100, with 55.8 million airplays (up 4%), 8.3 million streams (up 22%) and three,000 gross sales (up 16%).

Beyoncé achieved quantity 21 on the High 100 Hottest Solo Gamers. She bought her second primary from her newest album, RenaissanceAfter spending two weeks on “Break My Soul” at No. 1 Beginning in August. The gathering is her first since then I am fierce Sasha It yielded 4 in 2008-09: “Single Women (Put a Ring On It)” (No. 1, 4 weeks), “If I Had been a Boy” (No. 3), “Halo” (No. 5) and “Candy Goals” (No. 10). ).

Notably, Future’s Little one, with Beyoncé as a member, has scored 10 High 100 hits, in 1998-2005. when “break my soul” class hit In August, the star joined the elite firm among the many acts of at the least 20 prime 10 solos and 10 in a bunch — and have become the primary lady to attain the feat. Michael Jackson’s prime 30 solos are 10 and 11 on The Jackson 5/The Jacksons, whereas Paul McCartney boasts 23 solos (together with his manufacturing with the Wings) and 34 on The Beatles. (In mirroring this feat, The Supremes scored 20 High 10 hits, together with six that had been billed by Diana Ross & The Supremes, and Ross went on to report 12 as a soloist.)

Once more, for all chart information, you’ll be able to comply with Billboard and @Billboardcharts on each Twitter and Instagram and all of the charts (as of January 14th), together with the Sizzling 100 of their entirety, might be up to date on Billboard.com tomorrow (January tenth).

Luminate, the impartial knowledge supplier to portray Charts, completes a complete overview of all knowledge submissions utilized in compiling the weekly chart rankings. Luminate evaluations and validates knowledge. In partnership with portrayInformation deemed suspicious or unverifiable are eliminated, utilizing relevant requirements, earlier than closing graph calculations are carried out and revealed.

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